Thursday, February 15, 2007

The Great American Grape

As a follow up to my previous post that included my resipe for Al's Super-Easy Chili, I wanted to discuss what wines to drink with it. Instinctively, maybe refelxively, if I am asked what wine to drink with Spicy Tex-Mex dishes or just anything on a grill save grilled fish, my answer is usually Zinfandel. After all, we are talking about "the Great American Race" and from a gastronomical standpoint, grilling is as American as Apple Pie and chili probably figures in there somewhere as well.

So why Zinfandel? From wikipedia,

Although similar to other varieties of the Vitis vinifera imported from Europe, Zinfandel was long considered "America's vine and wine." Zinfandel was brought to the United States (Long Island) from a varietal collection of the Imperial State Nursery of Vienna in the 1820s. In the cooler climates it was grown in greenhouses. In California the first Zinfandel vineyards were planted in the 1830s. Its popularity grew swiftly, and by the end of the 19th century it became the most widespread variety in the US.

Vintners have grown Zinfandel in quantity for over one hundred years. Many of the oldest wineries in California grow Zinfandel and the vines are now treated almost like historic landmarks. At the start of prohibition Zinfandel was California's most popular and successful variety. During prohibition, limited home winemaking and the production of sacramental wine was allowed, and Zinfandel remained popular with Northern California's home wine makers. However, on the East Coast Zinfandel fell in popularity and was replaced by thicker-skinned varieties. Zinfandel's tight bunches left its thin skins susceptible to rot on the slow train rides to Eastern home wine makers. The creation of White Zinfandel in the 1970s further saved the vines by providing a larger market for the grape. In the 1990s the market for premium wine increased sufficiently that old vine Zinfandel became valuable on its own.

(Further reading of the article will show that we have in more recent times come to the conclusion that Zinfandel is probably actually from Italy, a realtive of the Primitivo grape; even so, Zinfandel secured it's place as "the Great American Grape" long ago.)


So if Zinfandel is "the Great American Grape" and foods such as Burgers and Chili are our cook's badges of honor, wouldn't be lucky if the wine and the food paired well together, so that we, like the French, Italians, etc. would have wines that go with our regional cusine? The fortunate answer is that they do.

Take, Escafeld Winery's 2003 Monterey County Zinfandel, one of our latest discoveries. Even Al's Super-Easy Chili is an incredibly complex blend of flavors - cumin, chili peppers, green peppers, black peppers, tomatoes, kidney beans, onions, beef, pork, vinegar, garlic, sharp cheddar cheese - that's a lot of different flavors in one little bowl. A wine with subtle flavors just simply doesn't work. I regualrly make the argument that Red Burgundy (Pinot Noir from France) is the world's most versatile red wine, but the Musignys and Gevreys of the world need not apply here: although they have remarkable complexity, Pinots, especially those from Burgundy, are more about finesse than pronounced flavors (not too mention haunting aromatics that would get lost in the robust scents of chili). Escafeld's Zin on the other hand, hits the spot. The interplay of spice and sweet fruits (raisins, ripe berries) not to mention the chocolatey finish mimcs the contrapuntal flavors of, for example, spanish onions and chilis.

We have already implied the nextrequirement for a Chili-wine: it must be robust, an appropriate descriptor for the Escafeld Zin. What I like a lot about the Escafeld Zin is that, while it is a full-bodied ande robust wine, it is still a wine of balance, the most important element in any wine for me. Robust yes, but all the elements are in equilibrium; not unlike the addition of vinegar in the chili, as I described it in my previous post. Too much, and you get a really strong acetic taste and smell, and you might as well start agin. But there is a certain point in any dish where the right amount of salt or acid (acetic, i.e. vinegar, or citric, i.e. lemon, lime, orange, etc.) or any wine where the right amount of alcohol, sugar, ripeness, tannin and acidity are all in perfect balance. So once you have the chili down pat, it will require much less effort to pull the cork on Escafeld's 2003 Monterey Zin. A "Great American Wine" with a "Great American Dish" during the "Great American Race": robust, balanced and simply delicious.

For more on Escafeld winery, visit their product page on www.avawine.com or visit the entertaining Vineyard Diary of our friend Elsbeth Wetherill, co-owner of Escafeld vineyards. Among other things, you can read Elsbeth's comments on Escafeld Winery's 2004 Petit Verdot, Double-Gold "Best of Class" Winner in the recent San Francisco Wine Chronicle Competition - the subject of my next blog entry.

Wednesday, February 14, 2007

The Great American Race



With "the Great American Game" just finished and the "the Great American Race" coming up on Sunday, it seemed like the perfect time to make a large a pot of chili and then to follow it up with a good dose of some of our new arrivals.

Part #1) Let's start with the chili.

A lot of people ask me for my chili recipe because, well, I make a good bowl of chili. The problem is, I don't really have a recipe. I also don't really do the whole measurement thing when I'm cooking, preferring instead to let my sense of smell and taste guide me. But since, it's a frequent question, here's a approximated version in a nut shell. Most people don't know the secret indgredient IMO of a good bowl of chili - vinegar. Believe me - it makes all the difference. The most common mistake people make when cooking is not using enough of the handful of things that enhance the wonderful flavors of your dishes (that is, salt, citric juice such as that of lemons and vinegars iof various types). If you don't believe me, make gazpacho some time. It's real easy. Try one bowl with no vinegar to finish it off. Try another with cheap red wine vinegar. Try a final one with good, aged red wine vinegar. I'll bet that you can tell the difference. It's the same idea here.

My easy version is as follow:
- One large chopped green onion
- Two large chopped spanish onions
- 1/4 cup chili powder
- 1 T garlic
- 1 lb. ground beef
- 1 lb. ground pork
- beef suet
- 3 large cans of diced tomatoes
- 3 small cans kidney beans



Put a large saucepan over medium heat. Put a few chunks of beef suet into the pan until it becomes liquid. Add the minced garlic, being careful not to burn. Add green pepper and cook until begins to soften. Add onion until it begins to soften. Add pork, beef and chili poweder and begin to brown. One the meat has browned the whole way through, drain tghe excess moisture and fat from the chiili. Put in your tomatoes and kidney beans and a salt and pepper to taste (this is more than you think - maybe a 1/4 cup each). Cook for as long as you can on a slow simmer, three hours or even over night if you can. Take a taste about 1/2 hour before serving and vinegar to taste. Try about a third of a cup, let it simmer for 10 minutes, and if it's still not piquant enough ad some more and repeat until you have chili with some flavor.

By the way, this makes a lot of chili, but it even goes further (and tastes better I think) if you cook up a big bowl of white rice and top the rice with the chili and then chopped red onion and sharp chedder cheese. Also, if you are interested in Texas Style Chili (chili with no beans) this recipe is complicated but the results are worth it...

Next time: finishing your pit stop with wine.

Thursday, February 01, 2007

Liquid Gold

I'd like to continue with my previous post and tie everything together. The fact of the matter is that my first bottle of Sauternes was a bottle by the massive French firm Barton & Guestier. It was a wine that most aficianados would frown upon. At that moment in my life, it was the most profound sensatory experience in my life.

The only experience that rivals my first Sauternes was my taste of a most celebrated one - 1975 Chateau d'Yquem. Chateau d'Yquem, in any year, is recognized as being quite a bit better than any of its rivals - for reasons not worth getting into here. It is so recognized that it is officially recognized as such by the French INAO, the governmental agency that classifies wines. Sauternes is classified as follows:

Superior First Growth (Premier Cru Supérieur)
Château d'Yquem, Sauternes


First Growths (Premiers Crus)
Château La Tour Blanche, Bommes (Sauternes)
Château Lafaurie-Peyraguey, Bommes (Sauternes)
Clos Haut-Peyraguey, Bommes (Sauternes) (Château Clos Haut-Peyraguey)
Château de Rayne-Vigneau, Bommes (Sauternes)
Château Suduiraut, Preignac (Sauternes)
Château Coutet, Barsac
Château Climens, Barsac
Château Guiraud, Sauternes
Château Rieussec, Fargues (Sauternes)
Château Rabaud-Promis, Bommes (Sauternes)
Château Sigalas-Rabaud, Bommes (Sauternes)

Second Growths (Deuxièmes Crus)
Château Myrat, Barsac (Château de Myrat)
Château Doisy Daene, Barsac
Château Doisy-Dubroca, Barsac
Château Doisy-Vedrines, Barsac
Château D'Arche, Sauternes
Château Filhot, Sauternes
Château Broustet Barsac
Château Nairac, Barsac
Château Caillou, Barsac
Château Suau, Barsac
Château de Malle, Preignac (Sauternes)
Château Romer, Fargues (Sauternes) (Château Romer du Hayot)
Château Lamothe, Sauternes

No one really doubts that Chateau d'Yquem is a one of a kind, even the legal authorities in France. The best wine I ever had was almost without doubt the 1975 Chateau d'Yquem (a particularly good year in Sauternes); it is scored 100pts out of 100 by Robert Parker the world's leading wine authority, in other words a perfect wine.

'75 Yquem goes for about $1200 a bottle give or take nowadays, but is it worth it? My opinion is "yes", making it the first time in my life that I agree with Robert Parker I believe. Nonetheless, my experience with '75 Yquem is equalled by my Barton & Guestier of unknown vintage drunk with a friend at 6AM in a fraternity house in Chicago. 100 pointers can be disappointing if they're not shared at the right moment, with the right company.

Never believe the hype of 100 point wines (or 95 or 90 pointers for that matter). A bottle of wine is an experience. I guarantee that over the course of my life I have a higher percentage of "90 point nights" with the most simple of wines, and I know for a fact that I have had too many disappointing nights with wines that were critically acclaimed.

In summary, every wine "is worth it" if you enjoy drinking it, the company with whom you share it and that moment in time where you felt more relaxed than you do every day at work or what have you. A good wine, like a book, or an opera, or a movie or a Steelers game is incomparable at that moment in time. If you don't enjoy it, no matter what the scores say, it's not worth it...

Thursday, January 25, 2007

Are Gold Prices Rising?

No. This is not another investment blog (it seems that we have enough of them). I'd like to talk about Liquid Gold, or what we wine lover's call Sauternes. The real topic is the most difficult question I get asked as a wine consultant - "Is it worth it?"

When I was in college, I began to become interested in wine. I learned the fundamental principles of the snob - the only good wine is red wine, etc., etc. - most all of them were wrong. Being the inquisitive type, I researched more extensively on the subject of wine. Eventually, I cam across the concept of Botrytis Cinarea [BAW-TRITUS].

What? BAW-TRITUS...ahem...SIN-ER-REE-AH. Here's the big problem. From a biological standpoint - actually from the standpoint of a pure obsever - it's more disgusting than it sounds. So what is it? And what does this have to do with gold?

Wikipedia tells us that Botrytis Cinarea is:

Botrytis cinerea is a fungus that affects many plant species, although its most economically important hosts are wine grapes[citation needed]. In viticulture, it is commonly known as botrytis bunch rot; in horticulture, it is usually called grey mould or gray mold. The fungus gives rise to two different kinds of infections on grapes. The first, grey rot, is the result of consistently wet or humid conditions, and typically results in the loss of the affected bunches. The second, noble rot, occurs when drier conditions follow wetter, and can result in distinctive sweet dessert wines, such as Sauternes. The species name Botrytis cinerea is derived from the Latin for "grapes like ashes"; although poetic, the "grapes" disappointingly refers to the bunching of the fungal spores on their conidiophores, and "ashes" just refers to the greyish colour of the spores en masse. The fungus is usually referred to by its anamorph (asexual form) name, because the sexual phase is rarely observed. The teleomorph (sexual form) is an ascomycete, Botryotinia fuckeliana (see taxonomy box).

Let's rewind a bit. While "Is it worth it?" might be the most difficult question I get, the most frequent one is "How did you get in the wine industry?" Here's my answer...

I was in college in Chicago. I read about Botrytis. The descriptors made it sound amazing, in fact, at least one writer dubbed it Liquid Gold. I had to try it. So I took my bartending money and bought the cheapest Sauternes I could find - the only Sauternes I could find. It was about 25 bucks for the half bottle - not much in retrospect for a good bottle of Sauternes. I bought it before I went to bartend (looking back, it was likely an '83, a great vintage) and came home to my fraternity house, grabbed a bear and decided to go to sleep. I woke up a couple of hours later: I had to taste Botrytis, I had to taste Sauternes. Liquid Gold.

I said to myself "To hell with it", and there I was, in a Fraternity House in Chicago, uncorking a bottle of wine that would determine the future of my life. A "Brother" came downstairs as I sipped Liquid Gold with glee - at six AM.

...how does all of this tie in to the question "Is it worth it?"...if you are wondering, visit us tomorrow...

Saturday, January 13, 2007

It's all in the balance...

Last night, I decided to relax and catch some Jazz at the Backstage Bar at Theater Square in downtown Pittsburgh. I sipped a martini while I perused the small wine list, and immediately gravitated to the 2003 Bourgogne Pinot Noir from Joesph Faiveley. Just a standard, every day Red Burgundy, just what I wanted and at $7 a glass it wouldn't break the bank. The aromatic profile of the wine was just beautiful - a melange of red cherries and raisins. Real pretty. The problem came when I took the first sip as the tannins immediately parched my palate, prompting me to order a club soda just to scrape the wine from my tongue.

Wine has to be in balance. There's a lot of combinations that will make for a balanced wine, but what does that mean. Emile Peynaud's The Taste of Wine is a seminal book that is as influential now as it was when it was first written over thirty years ago. I do warn that this book is more than a bit technical from time to time, but there are important parts that will be understandable to all. Particularly interesting is his rather extensive treatment of how to write a tasting note. And for our purposes, the parts where he discusses balance.

In a nut shell a balanced wine follows the equation:

Acidity + Tannin => Sugar + Alcohol.

There are a few corollaries that result from this equation. Namely that if there is a lot of tannin in the wine, there shouldn't be a lot of acidity, and it certainly needs to be offset by either sugar or a good dose of alcohol. Why alcohol? I'm so glad you asked. :)

Alcohol has an apparent sweetness to the palate. Most people don't realize it but it's true. The easiest way to prove this (if you're either a real go-getter or the scientific type or both) is to set up this little experiment. Boil the alocohol out of glass of wine. Run it through glass tubing and into a beaker. When all the alcohol has boiled out replace the same amount of water into the wine as the amount of alcohol that came out. The result: the wine will be unbearably bitter, either too tannic or too acidic or both. That's because when the alcohol is in the wine, it's apparent sweetness balances the wine. Without it, the wine is plonk.

Many people criticise California wines for being too alcoholic, and it's true that some are. But in the best California wines, elevated alcohol can still make for a balanced wine - all you need is the appropriate level of tannin or acidity to work in concert with it. Conversely, if there's a lot of tannin in the wine (something that will happen naturally when it's warm out because the skins of the grapes thicken and that's where the tannin is), the wine requires high alcohol, or else it will become to tough to drink - a problem that occurred in the heat wave of 2003 in France - the very problem that tainted my experience with Faiveley's Bourgogne. It's all about the balance.

Saturday, January 06, 2007

My Pick for the Year's Best Wine Book

I thought I'd take a moment since we're at year's end/beginning to highlight my favorite wine book from last year, Matt Kramer's New California Wine: Making Sense of Napa Valley, Sonoma, Central Coast, and Beyond. I first picked this book up in I believe late January last year, and I don't think that I've set it down since.

What makes Kramer's book different from the scores of other California Wine books that are available? The pimary difference is that rather than simply offering page after page of endless tasting notes, Kramer's book educates the reader. Karmer sets the tone with his entertaining first section (around 50 pages in all) entitled "Thinking California". Not a history in the traditional sense of the world, Kramer contrasts the California winemaking mindset with that of Europe, tracing the overall mentality from the industrial wineries of the past to today's cult wines.

Kramer then takes the reader through each of California's major wine regions. He looks at each region as terroir unto itself and is refreshingly frank in telling the reader whether or not this approach can be justified or not with regards to each region. In some cases, Kramer willingly admits that the region in question is merely a geographic deignation with wines of no particular distinguishing characteristics. When it is justified, Kramer takes a closer look at wines of more refinement. In addition, Kramer profiles the finest wineries, putting them of course in the context of the terroir in which they produce wine.

Overall, Kramer's New California Wine is a must-have for any serious wine lover and is written with his classic, amusing, accesible words that have made him one of America's favorite wine writers.

Wednesday, January 03, 2007

End the year with a boom ... or rather a Zoom!

A new year and a new winery for AVA Wine. I'd like to highlight this week the impressive and fairly priced (perhaps unfairly priced - for the winery - considering the quailty) of Zoom Vineyards. Zoom Vineyards is run by the two-headed monster of Matt Hughes who you may know from Verite, the ultra-premium Lake County affiliate of Kendall-Jackson and Christian Hackshaw, founder of Demeter Vineyards. While the winery itself concentrates on pure, small-lot Zinfandel from Lake County, I must say that a recent tasting of their 2002 Zinfandel from San Francisco Bay/Contra Costa County caught my eye, or rather my palate.

The 2002 Zinfandel, San Francisco Bay is one of the finest Zins I have tasted. It weighs in at 14.9% alcohol, but is not heavy on the palate, nor is its aromatic profile alcoholic, nor is its finish "hot". (A "hot" finish is one that tastes excessively of alcohol, perhaps reminiscent of terpentine, a common criticism of overly modern-styled wines - see my previous post for my thoughts on the subject.) This wine shows amazing restraint - and the price is tremendous for the quality of the wine, but in order to understand why, a bit of viticultural history is required. My continuous mantra through these blog entries is that a greater understanding of the individual wine leads to greater pleasure of the wine...

Old Vines
Old Vines are the key to this wine. There are arguments back and forth between old-world, old-school producers and modernists, but the proverbial thorn in the side of the modernists is that, quite simply, over the course of time the human race improves and learns. Wines from the prominent European viticultural areas do have an advantage, whether we Americans would like to admit or not: trial and error over the course of ten centuries has certain advantages to what is essentailly the cottage wine industry in California. Monks during the Crusades already knew the finest locations to grow vines. It's reasonable to think that in the forty years of the rebirth of the California wine industry, that they have learned less about the best-situated vineyards than Europeans have over many centuries. (This is not to say that they have not learned more rapidly, probably much more rapidly than any of the world's major viticultural regions how to do it right and fast.) Given this amazing head start of many hundreds of years, almost any other deprivement should have put the California wine industry irreperably behind, right? The fact that it didn't, is as a amazing as the story of the United States of America itself.

So what was the straw that somehow didn't break the camel's back? In 1919, 46 of 48 states ratified the Volstead Act making it unlawful to manufacture, transport or sell alcohol anywhere in the United States. Prohibition entered the constitution as Amendment 18 on January 16, 1920, and the California wine industry suddenly faced something more challenging than the head start that Europe had gained through centuries of expermientation. There were a little over seven hundred wineries in the budding California wine industry; by the end, it had almost dwindled to nothing. Many farmers ripped up their vines and planted other more lucrative, that is, legal crops that could be manufactured, transported and sold like any other agricultural commodity. The vines disappeared daily...

Of course prohibition was later repealed thanks the passage of the 21st amendment. There were obviosuly many long term effects, some of which I hope to discuss in future entries, but for now, I'd like to isolate the importance one factor in particular - that of the age of the vines.

The casual wine drinker may be unaware as to how important many seemingly insignificant factors are to producing top quality wines. Vine age is particularly poignant when considering the 2002 Zinfandel San Francisco Bay of Zoom Vineyards. In the 1920's, when nearly every vineyard was ripped up in California, it almost signalled the end to wine in America as we know it. Luckily a few vineyards and wineries perservered. While the French had their own problems (a vine pest named phyloxerra that destroyed most all their vines in the late 1800's), when prohibition was repealed in 1933, most French vines were already nearly 50 years old. In California, the wineries that gave it go following prohibition were forced to begin again, and the French now had an additional forty year lead. But why does it matter?

Old vines do something special. The longer a vine lives, the deeper it works itself into the soil. It can more easily reach water reserves far beneath the soil'd surface horizon and their more extensive network of vines has a greater area exposed to the soil, offering more outlets to seek nutrients from the earth. All other things being equal, old vines have the best chance of creating world-class wine.

Luckily, a small handful of vineyards continued through Prohibition. One of these was the Continente Family Vineyard in Contra Costa County. This is where we find the vines for the 2002 San Francisco Bay Zinfandel of Zoom Vineyards. The vines are 106 years old! I can think of only a handful of European vineyards whose vines exceed the century-mark in age: in the Unoted States, where five and ten year old vines are the norm, vines of this age are almost never seen!

So the 2002 Zooom Zin SF Bay is, despite it's youthful creators, a dinosaur of sorts, a beckon to the old days of California wine. Wines who siphon over 100 years of natural goodness directly into their grapes.

My notes, show that the wine is not overwhelming in spite of it's elevated alcohol (although in the grand scheme of things - under 15% is not all that high for powerhouse red Zins). The nose reminds me at first, not of Claifornia Zin, but of a complex, traditionally made Eurpoean wine, likely of Mediterranean climate. Its expressive, chocolately nose hints more of a top-shelf Italian wine - Brunello di Montalcino comes to mind - than California. The wine does not smack you in the face; in fact, it is rather subtle all said and done, and truth be told, it is quite intellectual, with each sip offering something new, than most every Zin on the market. The palate is so smooth, and finishes with a mouth-puckering note of tannin that will work perfectly with your braised red meats when it's cold, or your grilled steaks and burgers this summer. The rasin-filled palate has the weet, bitter and sour flavors of that dried dark fruit that hits and appeals all parts of the palate. The raspeberry highlights only a enhance the wine that develops and reveals itself in waves as it opens in the glass. What a beautiful wine! It's amazing what old vines can do...

I think Miles was wrong...for some

The movie Sideways made Pinot Noir popular and Merlot passe. Everyone remembers Miles' now famous proclamation, "I am not drinking ******* Merlot! If anyone orders Merlot, I'm leaving!" As a Pinotphile myself, I understand where he's coming from. At the same time, the fact that sales of Pinot Noir are up 120% over the past two years gives me pause. As someone who has sold millions of dollars worth of Pinot Noir over the years, I can tell you this - I expect the sales to slow up in a hurry. If I were starting my own winery in California today, I wouldn't plant Pinot Noir. Let me tell you why.

First there are the basics - Pinot Noir is hard to grow. Pinot Noir is completeley different from Cabernet Sauvignon, Merlot or Shiraz. These wines derive their dense, purple hues from the thick skins of those grapes. The thick skins protect the wines from many harmful natural factors such as intense sunlight. The skin of Pinot Noir is usually quite thin. (A corollary of the thickness or lack thereof of the skin is that Pinot Noir is usually lighter in color.) Because the skin is not as thick as that of other red grapes, Pinot Noir is more likely to be damaged by natural elements and also highly susceptible to rot! Rot in your wine is bad! It tastes horrible. When Cabernet for instance is underripe, there is a vegetal green bean character that develops. I'd take a vegetal Cab over a rotten Pinot noir any day! If you don't believe me, try a bad 1983 Burgundy: then you'll understand why really quickly.

Because it's difficult to grow, and requires enormous attention, something of which I am largely incapable (I am mre the visionary-type than detail-oriented), Pinot Noir and I would be a bad mix. But that's not the real reason: the real reason is that, despite the current trendiness of Pinot Noir, I think most casual wine drinkers enjoy Merlot more than Pinot Noir, unless the Pinot Noir is made poorly (more on this below).

Because of the skin differential, the wines are fundamentally different. Cabernet, Merlot and Shiraz age because of tannins. That is because tannins come (largely) from the skins of the grapes. Since Pinot Noir has substantially thinner skin, Pinot Noir doesn't age due to tannic structure. Pinot Noir actually ages due to acidity, or rather the balance of acidity and fruit. Whereas Merlot and its kin age because of the mouth-puckering tannin, Pinot Noir titilates the palate with mouthwatering acidity, much like most (non-sweet) white wines. Pinot Noir is a white wine in red wine clothing. And I don't think that's what most casual wine drinkers want in their wine. It's what I want, but what I want won't necessarily bring you enjoyment.

So we have a problem, as W. Blake Gray's recent SF Chronicle article discusses. Instead of making Pinot Noir the way they should make it, many California winemakers just leave the grapes hang on the vine longer to thicken the skins. It doesn't matter to them that in the first place, Pinot Noir is a cooler-climate grape and shouldn't be planted in 80% of the California vineyards in which it is found.

So we are left with one of three possibilities:

1) Until the Pinot Noir craze dies down (something I instinctively feel is already happening), people will continue wines that they don't like to be trendy.

2) Many winemakers will continue to try as hard as they can to make Pinot Noir taste like Merlot, Shiraz or Cabernet Sauvignon to cater to the latest trends, thus deceiving consumers into thinking they have developed a taste for Pinot Noir, when, in reality, they haven't yet learned the beauty of real Pinot Noir, that is, Pinot Noir that is graceful, light in color, svelte and equilibriously acidic.

3) The Pinot Noir craze will die of necessity, when most people realize that they prefer supple, fruit-forward Merlot to the vibrant, levity of Pinot Noir.

I can only hope as a true Pinotphile that three is the case. It will allow wineries such as Hunter Hill Winery and Adastra Vineyards to continue making Pinot Noir the way it should be made, from cooler climate sites (the Sonoma Coast and Los Carneros respectively). Although our visits to these wineries convince me that in spite of any trends in any direction, niether winery would budge from their current modus opperandi. That's why AVA Wine is proud to bring them to you. The goal here is to find representative exmaples of each of California's many AVA's (American Viticultural Areas), and in Hunetr Hill Sonoma Coast Pinot Noir and Adastra Los Carneros Pinot Noir, you have two fine examples of this. You can drink either one of these and say to yourself, "This is what Pinot Noir should taste like," and if you don't like it, by all means, drink Merlot and don't feel guilty. Drink what you like and forget the current trends.

Tuesday, December 12, 2006

More on a "sense of place"


As a follow up to my previous post, I’d like to direct you to a recent blog entry and discussion involving New York Times Wine Columnist Eric Asimov and winemaker Michael Twelftree. Asimov’s blog is here and you can find Twelftree’s side of story by following the link Asimov provided. While I generally agree with Asimov’s stance that in many ways expands upon my previous comments there are some additional points to consider.

Despite my relationship with AVA Wine, I am most noted for my expertise in Burgundy, precisely the lower-alcohol, food wines to which Asmiov occurs (at least in most cases). That being said, I unlike Mr. Asimov probably drink wine on its own at least half the time. And when I do drink it alone, I generally do prefer it to be lower in alcohol – in addition to Burgundy (both white and red), German Rieslings fit the bill nicely in this respect as well. If I opt for most California wines, Bordeaux or other fuller-bodied reds, I prefer to have them with red meat, a grilled steak usually does the trick. So in some ways, I guess you can say that I am in opposition to either Asimov or Twelftree in that, I only enjoy fuller, high-octane wines when they’re served with food; after all, if I going to binge, why not do it right and besides, if the wine has a good bit of alcohol, I’d prefer to have a big meal with it to try to avoid the negative affects of the alcohol. One of the worst ideas I’ve ever had was a a large tasting party where everyone was required to bring a bottle a Zinfandel – not White Zinfandel – but the alcoholic, intense, jammy red wine. After downing even small samples of 15 – 20 reds in excess of 15% alcohol, not one guest had their wits about them.

My I also posit the following? I know Asimov fairly well and appreciate his writing and knowledge as well. Twelftree I’ve met only briefly, but Mr. Asimov leaves out the fact that not only is Twelftree involved with Two Hands Winery in Australia but also runs a small, new negociant in Burgundy known as Mischief and Mayhem. The sources for Twelftree’s grapes in Burgundy are among some of the finest traditional producers in that region. So clearly Twelftree hasn’t lost sight of the fact that there’s room for more than one type of wine in the world.

Noting this takes me back to last weeks entry – where I basically told you that I like wines that taste the way they are supposed to taste. Wines from Diamond Mountain should taste like Diamond Mountain. Wines from the Napa Valley floor should taste just so. Even California Chardonnay comes in many forms - such as the steely, Silver Mountain 2001 Chardonnay from a cooler site atop high in the Santa Cruz Mountains. It may not be what most people think of when they think of buttery, full, sunny California Chardonnay, but that’s just the point: it shouldn’t be. When there’s snow on the winery ground’s at Silver Mountain, people are dining outside in downtown Soquel or a few miles up the waterfront on the boardwalk in Santa Cruz. Every wine comes from somewhere, and if you understand from where it comes, you’re enjoyment of the wine will be enhanced greatly. Now that I understand what Twelftree is trying to accomplish with his Australian wines, I’m sure my next bottle will be more enjoyable.

Sunday, December 03, 2006

Head to the Mountains to Find Napa's Boutique Wines


Let's face it -- visiting Napa Valley can at times feel more like Visiting Disney World. The sea of wineries that produce hundreds of thousands if not millions of bottles of wine is endless as one drives down Highway 29. That's why we usually "look to the hills" for our suppliers. Despite the incredible attention that the Napa Valley receives, most of it is directed along Highway 29, and the savvy shoppers looking for outstanding wines off-the-beaten track is luckily left with a few options, some of which we have been lucky enough to uncover in our extensive travels to California. Whether going east or west, the key to finding hidden gems in Napa is to do a bit of mountain-climbing.

The Napa Valley is bounded to the east by the Palisades and Mt. St.-Helena and to the west by the Mayacamas Mountains. (Bisecting the two is the Napa River.) The Mayacamas Mountains are further subdivided into three separate AVA's (American Viticultural Areas), or place names, that make wines with special individual charcteristics: Mt. Veeder, Spring Mountain and Daimond Mountain. It's up high on Diamond Mountain, poetically enough on Petrified Forest Road, that we found the amiable conversationalist, Richard Graeser and his traditionally made classic California wines.

First a bit of a lesson in terroir. Terroir is the untranslatable French word that describes the sum total of all the natural elements that affect wine. The primary component is climate, and then I use the alliterative collection of soil, aspect, altitude and slope to describe the remaining dominant features of terroir. These are the primary factors that affect the way the grapes turn out. All the winemaker then has to do is not screw it up!

Diamond Mountain is high up above the Valley Floor. On the Valley Floor, it gets very hot. Heat makes really deeply colored, full wines that are high in alcohol. The trick is getting enough acidity. Diamond Mountain is much cooler - because temperature decreases as you go higher up - think of the snow-covered top of a mountain. In a cooler climate, the terroir shines through more greatly because it is not masked by all the jammy fruit and high alcohol that is present in grapes grown in warmer sites. The wines are a bit more red in color and flavor profile and have better natural structure. So whereas the wines of the Valley floor have blackberries, black currants and ultra-full body, the wines from the Mayacamas Mountains more or less feature red currants, cherries and fraises de bois (wild strawberries). All the winemaker has to do is not screw it up!

I was sold on Richard Graeser immediately. An intelligent man whose former life consisted of running a large commercial farm further south, he immediately makes you comfortable. He is at the same time friendly and serious, and is just the type of straight-shooter with whom we like to work. He could see a pile of manure coming from a mile away, and while he enjoys conversation, he also likes to get his point across.

Our conversation quickly turned to the terroir of Diamond Mountain as we sampled some older vintages of his balanced, sophisticated Cabernet Franc. I told him that I loved California Cabernet Franc with proper age when properly made. He sized me up, knew that my comment was honest, and then agreed. I loved the redder fruits and equilibrium that the wine offered - exactly what I wanted from a cooler, mountain AVA. Mr. Graeser told me that it was his intention to make wines that represent Diamond Mountain. He could just as easily leave the grapes hang on the vines for much longer to try for greater maturity (darker color, higher alcohol), but he wouldn't do it. He's not trying to make wines that fit the current trends, he makes wines the way he likes them, the way that the Daimond Mountain wants them to be, the way I like them.

I sample hundreds if not thousands of California Cabernet Sauvignon, Cabernet Franc and Merlot each year. Most wine lovers envy the job of a wine professional, failing to realize that most of the wines I pour directly down the drain within seconds because they all taste the same. Not Richard Graeser's wines though, they taste like Diamond Mountain.

More on Graeser Winery

Graeser Winery 2002 "Alex's Ruff Red" Zinfandel Blend 6 Pack
Graeser Winery 2002 "Alex's Ruff Red" Zinfandel Blend 12 pack
Graeser Winery 2002 Estate Cabernet Sauvignon 6 Pack
Graeser Winery 2002 Estate Cabernet Sauvignon 12 pack
Graeser Winery 2003 Late Harvest Semillon

Wednesday, June 07, 2006

An Insiders look at the Food Industry.

We've found this resource a good spot to keep up on the trends in the food industry.

The Food World - Food Producers and Exporters Directory. Food Business Directory

Sunday, February 19, 2006

Monterey Events - Passport Weekend

Explore the wineries of Monterey County! You'll be ready to navigate the region with a 'passport' that entitles you to wine tastings, entertainment, special offers and great prizes. The Monterey Wine Auction & Gala on February 17 will benefit charitable organizations and scholarship programs.


Read More about Monterey Events - Passport Weekend

Monday, January 23, 2006

Tuesday, January 03, 2006

Chicago Tribune | Wine country starts cleanup after rains

If you have not yet heard from your favorite news sources, over the past few weeks there have been torrential downpours throughout California Wine Country. Although this article points out that, "There were no immediate reports of damage to wineries," we'll have to wait and see what if any damage has occurred to the vines. While the vines are currently in the dormant stage (following harvest), the real threat is that debris such as logs has flown into the vines. In some cases, at lower altitudes, vines were completely submerged.

Chicago Tribune Wine country starts cleanup after rains

Monday, January 02, 2006

Introducing Pessagno Winery ...

Pessagno Winery is the culmination of a 20-year dream of Stephen Pessagno, managing partner and winemaker, to produce limited quantities of exclusive, luxury wines from prestigious single-designated vineyards in Monterey and San Benito counties. The winery and tasting room is located along the River Road that winds through the Santa Lucia Highlands with scenic rural wine country vistas of the Salinas Valley at every turn, a perfect setting to experience Pessagno’s exceptional wines for distinctive tastes.

More on Pessagno Winery >>>