Thursday, March 29, 2007

Uncle Pythagoras Would be Proud

I wanted to talk today about the use and misuse of the word "terroir". I will not give in to my desire to defend my beliefs as a "terroirist" despite my yearning to do so. But, whether one agrees with terroir or not, its frequent misuse only adds to everyone's confusion. Continuing with my theme of Dead White Guy refernces, I was thinking of how similar it was to the Pythagorean Theorem: in a right-angled triangle the area of the square whose side is the hypotenuse, c, is equal to the sum of the areas of the squares of the other two sides, b and a, that is, a2+b2=c2. One of the simplest equations ever written, but the greatest minds tried to prove it for centuries to no avail. Terroir is the Pythagorean Theorem of Wine.

Terroir is the combination of natural factors that affect the way grapes grow. I personally stick with a pretty rigid definition, namely that within the larger arena of climate, one can largely determine the character of a grape by knowing the vineyards soil, altitude, slope and aspect. The point is not whether you agree with my assessment of terroir or not. What bothers me is the misuse of the term terroir.

I FREQUENTLY see posts on discussion boards or white-collar-professionals-cum-weekend-wine writers who think that terroir means earth. "The 2005 Chateau _____ Vintage Champagne was full of terroir with earthy tones throughout." Without delving to far into details and exceptions, Champagne grows on Cretaceous Chalk, so if it was "full of terroir" or tasted of the soil, wouldn't its flavors be dominated by chalk?

The French word for earth is terre not terroir. True terroir comes from the root terre, but it's not a direct correlation. The word sinister has its Latin roots in decribing one who is left-handed, but I have yet to hear someone refer to Osama Bin-Laden as that bastard, left-handed murderer.

The use of the word terroir is not restricted to wine. Its used for other agricultural products such as cheese, but also things such as forestry, specifically oak. Scholarly research, such as that of Drs. Paul Kolesar and Bruce Beaver of Duquesne University, doesn't examine how much earthiness an oak barrel imparts on a wine (and certainly not how much the wood tastes like earth!), but rather the characteristics of oak due to the sum total of natural influences and how this in turn affects the chemical composition of the wood. It's the same thing for grapes.

March Madness Update
In an earlier post "The Ides of March", I revealed my pick for the NCAA Tourney, Georgetown. I also revealed that I am usually out of contention very early. Turns out I was spot on, as Georgetown is heading to the Final Four, and I am in the bottom 3% of ESPN's Tourney Pick 'Em.

Monday, March 26, 2007

An Apple a Day...

Wine writers and professionals write tasting notes very differently. The "old way" consisted of less flavor and aroma descriptors and concentrated a bit more on charcteristics more fundamental to a wine and its development: texture, balance, length in the palate, etc. Most of the traditional British Wine Writers favored this method. Among them is the venerable Clive Coates, M.W. (Master of Wine). Here is an example of one of Coates' tasting notes, from one of my favorite Red Burgundies, 1965 Volnay Premier Cru Champans from the Marquis d'Angerville.

"Medium-full color. This is a little lean for the vintage. But perhaps it is still closed. The nose is classy and aromatic - nutty. The finish long and satisfying. The genrosity I'm sure will appear. Very good but not the class and depth for great."

It doesn't matter that I enjoyed the wine more (several years later). What is important is how his tasting note differs from the more modern approach, generall attributed to or at least having its beginnings with Robert Parker. An example from Mr. Parker. It is the same wine, vineyard and producer, but from a more recent vintage, the 1999 vintage:

"The medium to dark ruby-colored 1999 Volnay Champans, from a 4-hectare parcel where 50% of the vines are 40 years of age and the balance over 10 years, displays a sweet blackberry nose. Medium-bodied, this wine has an excellent depth of fruit, a supple, velvety texture, and a fresh personality. Loads of intense blackberry, cassis, plum, and spice flavors can be found in its juicy and expressive character. Drink it over the next 7-8 years."

It is not my intention to debate these two disparate techniques here, but rather examine the oft-asked question: can wine writers really taste such sensations? I emphatically say yes, though I admit that my notes tend to be somewhere in between the two examples given here and if anything are usually less wordy than either.

Nonetheless, as I was sitting down for a wholesome meal of pork chops, sauerkraut and baked apples Sunday, I did my own taste test, that I invite you to repeat at home. I had purchased three types of apples, Macintosh, Fuji and "green" apples to bake with some brown sugar and to accompany my main course. If wine writers and professionals are going to distinguish between Macintosh and Fuji, they'd better have distinguishing characteristics. So I sliced away and set about my tasting.

Very quickly it became clear that the three apples smell and taste very dissimilar. The green apples as expected were typified by a brief sugar-sweetness as they tocuhed my palate and then dominated by the pronounced attack of biting, lemony acidity that followed through forever in the finish. The texture of the Macintosh struck me as it had a waxiness that was not present at all in the green apples and appeared only in traces in the Fuji apples. Flavors and aromas of bananas distinguished the Fujis. In fact the dry, waxiness coupled with the aromas and flavors in the end reminded me very much of the taste of banana as well. I'd like to repeat the experiment with other families of foodstuffs, but my initial observations are that when I say I taste green apples and when I say I taste Macintosh apples, that I am correctly pointing out very distinct flavor sensations. I suspect that with a little practice, or maybe your own experiment or two, you can do the same.